Atmósferas y presencias. Aproximaciones a la obra poética de Louise Glück
Keywords:
Louise Glück, poetry, Ararat, The Wild Iris, Nobel PrizeAbstract
This article explores the poetry of Louise Glück, from an approach to her works Ararat and The Wild Iris. Each collection of poems will be examined from the conception that the author establishes about the books as atmospheres, where it is possible to recognize diverse manifestations that refer to a whole, to a poetic body inhabitable by the author, by her verses and by those of us who approach her texts. Finally, regarding to the examples cited in the article, Glück's vision of the durability of the poem, not as an object, but as a presence, is studied.
Downloads
References
Bachelard, Gaston. La intuición del instante. Ciudad de México: Fondo de Cultura Económica, 2018.
Deleuze, Gilles. Crítica y clínica. Barcelona: Anagrama, 1996.
Genovese, Alicia. Leer poesía. Lo leve, lo grave, lo opaco. Buenos Aires: Fondo de Cultura Económica, 2011.
Glük, Louise. American Originality. Nueva York: Farrar, Straus and Giroux, 2017.
—. «An Excerpt from our Art of Poetry Interview with Louise Glück». Por Henri Cole, The
Paris Review, (2023). https://www.theparisreview.org/blog/2023/12/12/an-excerpt-from-our-art-of-poetry-interview-with-louise-gluck/
—. Ararat. Traducido por Abraham Gragera. Valencia: Pre-Textos, 2008.
—. El iris salvaje. Traducido por Eduardo Chirinos. Valencia: Pre-Textos, 2006.
—. «In the Magnificent Region of Courage: An Interview with Louise Glück». Por Grace
Cavalieri, Beltway Poetry Quarterly, (2006). https://www.beltwaypoetry.com/interview-gluck/
—. Proofs & Theories. Nueva York: Harper Collins Publishers, 1995.
Zambrano, María. Claros del bosque. Madrid: Alianza Editorial, 2018.
—. Filosofía y poesía. Ciudad de México: Fondo de Cultura Económica, 1996.
